| in progress | works in development around walney island, trident, seals, an ambient threat, differal, deferal, detection and vision. |
| 2020 | Purposefully Systematic, screening include Oberhausen Film Festival (online) |
| 2019 | Aas - Fungal Mumming, Hornsey Tower, London Aas - Antiphonic Multibeing, part of Morphologies of Invisible Agents, SPACE, London |
| 2018 | Left Wanting More (6x6, online and screenings) |
| 2017 | Interruptions, WRO Media Arts Biennale, Wroclaw |
| End Game, as part of Synthetic Ecology, ONCA, Brighton | |
| 2016 | Interruptions, (moving image and google chrome extension), Field Broadcast |
| 2015 | Backs To The Future, Five Years, London |
| 2014 | Nobody Must Realise, video commission, Knaresborough |
| 2013 | Made For TV, Tethervision & Nottingham Contemporary |
| Caddy Life, Field Broadcast | |
| 2012 | This Is It, The Royal Standard, Liverpool (with Tether*) |
| 2009-2013 | Tethervision, multiple video works and online video channel (with Tether*) |
| 2023 | Between Worlds, The Photographers' Gallery and online
Small File Photo Festival |
| 2021-2022 | Producing a programme of online and digital works at the Bluecoat, Liverpool, including: Blue Room x Edie Jo Murray Dave Evans Bruce Asbestos |
| 2021-2022 | Imagining Networks programme, 2021-2022, including research and commissions by: Joanna Moll Tamiko Thiel Caroline Sinders |
| 2019-2020 | Data / Set / Match programme, 2019-2020 including research and commissions by:
Heather Dewey HagborgAnna Ridler, Mimi Onuoha and Nicolas Malevé |
| 2019 | Jonas Lund: Operation Earnest Voice |
| 2018 | All I Know Is What's On The Internet |
| 2015-2021 | Media Wall commissions at The Photographers' Gallery including: The Infinite Campaign - Sam Lavigne Neo-Surreal - Jenny Odell Food For Being Looked At She Who Sees The Unknown: Yajooj Majooj (Morehshin Allahyari); Selachimorpha (Joey Holder); Search by Image, Live (Sebastian Schmieg); Contours(Nicolas O'Brien, Jesse McLean, Scandinavian Institute of Computational Vandalism) |
| 2014 | Pharmakon, Central St Martins, London (Betzy Bromberg, Alan Berliner, Stom Sogo) |
| 2013 | Coming Events Cast Their Shadow in The Air, Primary, Nottingham (Black Audio Film Collective + Frank Abbott) |
| 2018-2010 | The Wasp Room project space, Nottingham (with Tether*) including: Point of Inaccessibility (Charlesworth, Lewandowski & Mann); Drive In (Stuart Croft); Trans Chaosmos Facility (Paul Eachus); A Far Sunset (Tom Down); Trouble in Paradise (Debra Swann) |
| 2014 | Nobody Must Realise, video commission, Knaresborough |
| 2013 | Made For TV, Tethervision & Nottingham Contemporary |
| Caddy Life, Field Broadcast | |
| 2012 | This Is It, The Royal Standard, Liverpool (with Tether*) |
| 2009-2013 | Tethervision, multiple video works and online video channel (with Tether*) |
| 2023 | talk at RPS Photography and AI conference, Bristol
talk at Transformation Digital Art Symposium, Amsterdam |
| 2022 | Talk on the Civic Role of Institutions, Liverpool |
| 2017 | Synthetic Ecology Catalogue |
| Interview with Joey Holder, Unthinking Photography | |
| 2016 | Totes Adorbs. Loose Associations Issue 3 |
| Ghosting. Loose Associations Issue 2 | |
| 2014 | Stop It, publisher Central Saint Martins |
| 2014 | Bed Race Project, published by Amelia Beavis Harrison |
| 2013 | Nine Days, Distractions, The Castle, Walthamstow, London |
| 2021 - ongoing | Centre For the Study of the Networked Image (associate researcher) |
| 2018 - 2019 | Artist Working Group |
| 2017 - 2021 | Common Study (artist group) |
| 2014 - 2021 | AAS (artist group) |
| 2014-2015 | Critical Forum, LUX |
| 2012-2014 | M-Res Art: Moving Image, Central Saint Martins |
| 2007-2013 | Tether (artist collective) |
| 2004-2007 | BA(Hons) Fine Art, Nottingham Trent University |